Marshal law comic free download

Other Editions 5. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Marshal Law , please sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Aug 15, zxvasdf rated it it was amazing Shelves: favorites. I hunt heroes. They're a bunch of sick bastards and I love them for it. So Doctor Shocc begins churning out superheroes with his super genetic therapy for a overseas war.

When the war's done with, the city of SF is left with insane superpowered freaks. And to boot it's al "I'm a hero hunter. And to boot it's also been reduced to rubble by the Big One, and has been rebuilt as San Futuro. Marshal Law surfs the fine edge of irony: he himself is a hero, if you really think about it, but he kills heroes.

He's Judge Dredd without the conscience, which is pretty bad because you know Dredd didn't have much conscience to begin with when it came to bad guys. In an absolute contrast to his Marshal Law alter-ego, Joe appears as a regular, well, Joe. A straight line dichotomy splitting the two, into foul mouthed smart ass gun-toting hero killer and Joe public with a loving girlfriend. You'll find malevolent caricatures of popular heroes like Superman or Batman. You'll see mockery being made of boy heroes, superpowered groups, secret identities.

No caped stone is left unturned. My favorite is the analogue of The Human Torch. A bunch of cannibals have discovered he is still alive after a fall off a skyscraper and they've placed him under another superhero. His bones are all broken, but he's still burning. As Jonathan Ross writes in the introduction, O'Neill's pencils is gorgeously ugly and is perfectly attuned to Mills' vision of a super fucked world.

The costumes are over the top obscene. Catch phrases and slogans relentlessly adorn each and every page. Anyways, if you're into superhero comics, it's well worth reading. Probably would appeal more to comic readers of the 80's and early 90's, because it was a simpler world, without the complexity of latter day comics. Remember Marshal Law.

He prays for us. He prays that we all go to hell. Wonderful, violent comics that take apart American superheroes and blows them away. Loved the analogues to the most popular heroes. Each was sent in a different demented direction by Mills and O'Neill nails their appearances.

Apr 24, Aaron rated it it was ok. Before reading this I'd never heard of Marshal Law, so I did a little research on the character to see why DC decided to give the series the deluxe treatment. Largely what I found was a lot of stuff about how this series was way ahead of its time having come out in the late s and approached satire of superheroes in a way that nobody had ever done before.

And, I get that. I haven't read many other books from that era with a tone like this one, but that doesn't mean it's GOOD. It hasn't aged Before reading this I'd never heard of Marshal Law, so I did a little research on the character to see why DC decided to give the series the deluxe treatment. It hasn't aged well, and I am not a fan. First off, the writing comes across like a first draft.

Pat Mills seems to have included every stray semi-satirical thought he had while in the process of writing this, and it leaves the style and substance both feeling incredibly bloated.

Instead of picking a target and skewering it, he tries to skewer every single thing about superheroes at once. There is absolutely no grounding in reality, so it just feels like reading a bunch of insane ramblings from a very, very angry person. The set up is this: in the future, San Francisco is a dystopian nightmare of crime perpetrated largely by wacked-out "superheroes" who have returned thoroughly crazy after fighting in a thinly-veiled version of Vietnam.

Enter Marshal Law, the only man capable of policing these maniacs. He has superpowers himself, and he uses them to take out this trash. But also there are GOOD superheroes who the public admires. But then also the PUBLIC is insane, seemingly just a collection of perverts and murderers without a single redeeming member of society.

So, every single thing in the universe is horrible and messed up except for Marshal Law, though even he has some pretty deep psychological flaws. The effect of Mills piling all of this on top of itself and then shooting it with a shotgun is that, as the reader, you have no one to root for.

Everyone and everything is horrible. Great, case closed? I mean, if I know from reading that there are no good people and everything is disgusting and evil, how am I meant to enjoy the narrative? There are no twists. Everything plays out exactly as it should. The jokes are decent sometimes, but usually Mills just resorts to the same 2 or 3 sex jokes over and over again he particularly loves to make his superheroes pedophiles. I think the main reason this series feels this way, is Pat Mills is clearly a man who genuinely despises superheroes.

He hates them, and this book is written from an angry, ranting perspective that seeks to eviscerate everything you ever loved about superhero comics. However, the book also includes some pretty specific references to Marvel and DC superheroes that no one would get unless they are very familiar with those universes.

So, who is this book for? Is it for people who have read superhero comics their entire lives but somehow hated every minute of it? Because I don't think those people exist. All in all, this book is just too all over the place to make any real points, and in the prevailing years since its release we've gotten things like Transmetropolitan and The Boys that do what this book seeks to do, only much better.

Just because something was first does not mean that it was best. I give this book 2 stars instead of 1 for Kevin O'Neill's manic, detailed art, which is the only thing that kept me reading to the end. View 1 comment. Jul 31, Jason rated it really liked it Shelves: comics-and-graphic-novels , for-adults , humor , scifi , superhero , sexuality , satire , violence. The first three arcs--Marshal Law, Marshal Law Takes Manhattan, and Kingdom of the Blind--are brilliant, layered satire: they lampoon at times barely masked--no pun intended Big Two superhero tropes and even the heroes themselves while a thread of scathing, biting political and social commentary runs throughout.

Mills and O'Neill are so very well in sync, as O'Neill's art not only conveys Mills's ideas perfectly, it enhances them with O'Neill's own satire, most notably in the chatty, irreveren The first three arcs--Marshal Law, Marshal Law Takes Manhattan, and Kingdom of the Blind--are brilliant, layered satire: they lampoon at times barely masked--no pun intended Big Two superhero tropes and even the heroes themselves while a thread of scathing, biting political and social commentary runs throughout.

Mills and O'Neill are so very well in sync, as O'Neill's art not only conveys Mills's ideas perfectly, it enhances them with O'Neill's own satire, most notably in the chatty, irreverent graffiti liberally frosted throughout the stories. The Hateful Dead and Super Babylon separated in the table of contents but somewhat related are messy and unfocused stories, still entertaining but to be honest not as sharp satirically.

And the extreme violence seems more stark in the absence of a clear message, in my opinion. The final story, Secret Tribunal, brings more to light my primary issue with the series, and that is the way women are portrayed--as second class sex objects. Granted, it is a product of its time, and that could explain to some degree what goes on in the first three story arcs or I am not being completely honest with myself because other elements of the writing are SO good , but Secret Tribunal seems to lay bare more of Mills' actual thinking relative to the topic, and not in a positive way.

One must be careful, though, when interpreting a satirist's motives because a good satirist will turn any accusations right back on the accuser.

It is possible that by the time he wrote Secret Tribunal, Mills was satirizing himself. Mills's inclusion of women as objects of satire belies the fact that they are still, thirty years after Marshal Law's debut, being objectified and limited by society. I understand that this can be a controversial topic, but the fact that men and white men at that are the overwhelmingly prevalent players in Mills's story and have continued to be in so many others up to the present is indicative that, at the very LEAST, the dominant paradigm in western culture is male-focused.

All that being said, satire pointed at groups that are disadvantaged ceases to be satire and just ends up being mean. However, nothing would prepare me for the shock or should that be Shocc? I received when I read Marshal Law for the first time.

Where Moore showed sympathy for his characters, Mills tears into them with devilish glee. The story is set in after a war in The Zone or South America, an allegory for Vietnam in which super-humans were created and used. Our protagonist Marshal Law rounds up and brings the super-humans who violate the law in San Futuro a post big quake San Francisco to justice.

It is a city that worships superheroes. The book is a critical look on the complacency and apathy of society as a whole, demonstrating the idiocy of celebrity worship, and a world in which the corrupt politicians and the rich dictate our lives.

His panels are saturated with so much richness and detail, full of witty lines whether as graffiti art on the walls or on the superheroes costumes themselves.

This beautiful hardcover deluxe edition collects all the Marshal Law series and one offs except for the crossovers. First off is an introduction by long time Marshal Law fan Jonathan Ross. Fear And Loathing: this 6 parter is the best story in the collection. It centres around Buck Caine a. The story is also a thrilling piece of mystery and intrigue as a super villain wearing a paperbag on his head goes round raping and killing women who are dressed up as a popular heroine; Celeste, who in turn is engaged to Public Spirit.

Pat Mills is on top of his game here especially where all the satirical politiking and scathing commentary is concerned. It also serves as a great introduction to Marshal Law and we get to learn more about the man behind the mask something which is missing in later stories. He operates from a secret police precinct that is located underneath the city, with his two sidekicks, Danny, who is in wheel-chair and Kiloton, the likeable walking man mountain. His civil identity is as a blue collared guy — Joe Gilmore.

As the web deepens, so the twists and turns start unfurling in this thrilling story. I thought that was a really nice touch by Mills. Marshal Law Takes Manhatten: I must say that i absolutely loved this story! There were moments in it where I was howling with laughter, so much so in fact that the next day my neighbour was intrigued enough to ask what had prompted me to laugh so hilariously!

It seems all of the superheroes are deluded. And what better way than Marshal Law to give them the proper treatment? The Persecutor is desperate to mesh with the other inmates, it seems that he is afraid of something or someone, and rightly so — because that someone is Marshal Law! We soon learn that the two had some prior history going back to their tour in The Zone.

The Persecutor it seems is a nasty piece of work, coming up with ingenious methods of torture for his victims. S foreign policy, torture, etc — and even though the comic was written more than 20 years ago its message is still resonant today. The climax to the story — with the heroes water sliding down the the building whilst monologuing — was just hilarious and plain awesome. Marshal Law bumps into him but cannot find it in him to shoot him. We soon learn that he admires the Public Eye, however his colleague Kiloton raises some doubt about Public Eye especially the nature of his Parents death.

We also learn more about the childhood of Public Eye and how his scientist parents psychotic experiments or torture impacted on him as a youngster. That for me was one of the standout moment of the story and indeed the whole collection when we get to psycho-analyse the superheroes — which makes for some very funny findings!

In this case, well lets just say poor old Benji the dog! Overall it was a really funny, fun and thrilling read. The Hateful Dead: this story is a bit of a let down when compared to the others, but still it does have its moments. It shows the depths the superheroes have plunged to, turning to consensual debasement and prostitution to earn a living. Super Babylon: this is the continuation of the preceding storyline where the walking dead superheroes continue to run rampage.

Regardless of the fact it was probably the weakest two-part story nevertheless it was still entertaining. Secret Tribunal: this was more enjoyable in my opinion. But first he has to take a ship from the Lifelab which is shaped like a giant phallus in space by the way!

Of course all does not go according to plan and soon an Alien is on the prowl for fresh meat…. This was a really fun read. It was more heavy on the action side of things with some raunchy moments thrown in for good measure.

We also got to see a softer side of Marshal Law well in his case, lets just call it lenient side! But overall I really enjoyed it, and the last page was superb where we see Marshal Law riding off into the sunset or in his case, the hellhole of San Futoro. By the time I finished reading Marshal Law I was quite saddened because i was enjoying it so much!

I cannot praise it highly enough; it is without doubt the best comic not to mention the most beautifully presented comic collection I have had the pleasure of reading this year, and one I look forward to re-reading again soon. Jul 26, Herman rated it it was amazing.

Violent and satirical, Pat Mills and Kevin O'Neil's Marshall Law provides lots of over-the-top fun, with weird plot-twists and an insane amount of action. Highly recommended. Oct 09, Bobzen rated it really liked it Shelves: comics-graphic-novels.

Not a light read, incredibly dense and excessive superhero-satire, in some ways even more so than Rick Veitch's Brat Pack and Maximortal. I appreciated it but it's really hard to recommend it to anyone who doesn't hate superheroes like Pat Mills does or appreciates genre deconstruction to such an extreme degree.

Jan 08, Michael Emond rated it really liked it. This DELUXE edition contains the original 6 part series that rocked the 80's with its graphic portrayal of a bleak future and a hero hunter named Marshal Law. I loved it back then and I love it now. It is a series, I think, every comic lover should have in their collection.

Kevin O'Neill's visuals are crammed to the gill with detail - but he is enough of a craftsman the story is clear no matter how busy the panels get. And Pat Mills' cynical look at how hypocritical these "heroes" are is still a This DELUXE edition contains the original 6 part series that rocked the 80's with its graphic portrayal of a bleak future and a hero hunter named Marshal Law.

And Pat Mills' cynical look at how hypocritical these "heroes" are is still a message that resonates today. It is very graphic and very sexual in nature but that adds to the atmosphere of the story and is not gratuitous. So FIVE stars for that 6 parter. What follows is a bunch of one or two parters that I had never read before.

Personally, I don't think they compare to the complexity, originality and cleverness of the first story which was a nicely built mystery with a great payoff and Marshal Law himself devolves into a more cartoonish figure as the stories go on. The user will be in the role of a person who finds himself as a nobody because of his previously low social status.

He had no money, no stable job or position, and after communism he did not know how to go on living. The central character tries to establish relations with his daughter and to be near her, at the same time overcoming the difficulties of his life. The project simulates the realities of life of common Polish families at that time.

The player learns about their thinking and outlook, how they dealt with difficulties and unconventional changes concerning almost every aspect of their lives. The gamer observes the character from the side view using side scrolling. The world is presented in a two-dimensional world, as objects, people, and other objects. Martial Law Key Features: Numerous dialogues with unknown people, acquaintances of the protagonist, or government officials.

Visual novel style with story conveyed through conversations and monologues. User's task is to solve a major family issue and fix problems. Lots of options for the outcome of events. Decisions and choices will affect the ward's history and fate.